LEPCHA CULTURE LESSONS
Its the ultimate question-"WHO AM I?". I asked myself and the journey started. I stumbled upon answers that opened doors to new dimensions of my being. The Journey is long....but it sure helps to share what i have learnt....
Monday, October 4, 2010
Thursday, September 9, 2010
Thursday, August 26, 2010
Thursday, April 8, 2010
Monday, March 8, 2010
Dungeet
RONGSA CULTURE
1. The collective form of the original ten Lepcha families who are claimed to have descended from the primogenitors of the Lepcha race, Fudong thing and Nazong Nyu. These ten families later became the original ten clans and are also associated with the folktale of Azor bongthing and the slaying of Laso Mung. The Lepcha refer to this collective form in every cultural as well as social aspect of lives. –RONGKUP KATI
2. The Lepcha syllabic scheme also the book of grammar rules for Rong aring. It has been described as the Power of words and as such enables a Lepcha to improve his fluency, force and rhythm of his speech. Using this set of rules Lepcha are known to have made 540 different sounds by using just one alphabet “K”. LAZAONG
3. Lepchas of yore prepared these manuscripts which fall under different categories some merely recording of facts while others are literary works but the most important of all – some of them are holy to the Lepcha and as such have very high religious value. NAAMTHAR
4. The Lepcha medicine man or the Lepcha healer. He is known to restrict his medicinal practices and prescriptions only to Lepcha community, and he does not share or offer the same to the outsiders. He believes that if his secret traditional knowledge of using plants is disclosed to any unauthorized person, the plants under use would produce adverse effects, and he may encounter ill-fate generated from the rage of the supreme deity of medicinal plants in the forest. This non-sharing attitude must have been one of the strongest reasons for the decline of this archaic system of medicine. MAON DAOK
5. The annual lepcha worship of Mount Kongchen Chu (Khangchenjonga) originally performed by the Bongthing of Nung village in Dzongu which later was adopted into Pang Lhabsol, the festival of Unity among the Lepchas and the new comers Bhutias of Nye Mayel Lyang. This festival was conducted in secrecy by the latter Buddhist Chogyals to appease the Gods of Lepchas.
6. The collection of ancient mythology, legends, and other folklore which includes stories of birds, animals and every creature in the nature narrated by older members of the family in the evenings. These stories also include tales that impart knowledge and education to the youngsters about the way of life and the primary traits required for survival as a Lepcha. LUNGTEN SUNG
7. The figurative form of Lepcha language used by Lepcha Mun and Bongthings while offering prayers. TUNGBAOR RING
Monday, February 8, 2010
Ngassey Chongey
Just to think I developed interest in other cultures of foreign shores when my own Lepcha culture was so full of life and mesmerizing. Every step I take towards my culture and every stone I turn I find more motivating and amazing features which needs deep thoughts and understanding. So I just surrendered to this captivating experience and let it carry me away deep into the unexplored corridors of Lepcha culture.
“Chongey” or the annual Lepcha archery competition is an important occasion for most Lepchas seeking for an adventure with a cultural colour. And it has been one event that has seen equal participation by Juktenmoo, Buddhist, Christian and all the “in between” Lepchas. If I can recollect well, the kyoungs (Lepcha village) of Damsang Lyang have more eagerness to indulge in this event rather than their counterparts in Renjyoung Lyang where Buddhist festivals find more prominence in the villages. There are historical and cultural reasons for being so but nevertheless this festival has a special importance for all Lepchas.
The annual CHONGEY competition of Ngassey Kyoung was marked this year with the ONGS slowly taking over from where the elders left. The festival opened with a Prayer by the Minchyu Mun and of course the Dungeet Vom was also sung. Padma shree Ren ST Tamsang did not rest on his laurels but went up ahead and played his flute which enthralled the spectrum of Rongs gathered in the event.The entire event held on the small patch of rice fields near the Mayel Lee was conducted by youngsters, Chyo Tshering and SumPundee, eager and enthusiastic rongs from the Kyoung. It was a Kodak moment to see small children barely out of their mother's laps dancing to the tune of CHU LEP KA BAMBOO Ho...and on an equal note it was kind of nostalgic to see the "not so young but ok" anoms make it to the stage with their well practised Surongla Saknyee (..in fact- heard that they have been doing this dance for so long that they no longer need to practice...).Ok rice harvest is long over but that did not stop the gathering to pick up their memories and perform a rice harvest dance....fun to see the youngsters trying to pick up the steps which their well practiced parents had used long time ago to court each other....(maybe)...My MIL (mother-in-law) Renyu Marymith Lepcha rocked (as usual) with her solo song....awesome voice...Oh yes there was this song called Ho Lho sa Pundee performed the graceful aneus in graceful Dumvuns.Then again the SHERABU (Hunters) dance also managed to liven up the day with the gathering joining in at..pey pey pey...dinon dinon dinon....
The results of the day---Mongbol Busty team walked away with the First and third prize while Bongbusty managed a second merely preventing a sweep out....in the chongey....While Song tshering, handsome dude from the Ngassey Kyoung won the prize for the shot put..(comon we lepchas have a traditional version of this Olympic event.....maybe those sick Greeks stole it from us and gave it their own stamp)...The Ngassey branch of RONG ONG PRONGZUM was established on the day and the taking of oath event was inspiring to see youngsters so eager to work for the Tarwath (development) of the Rongs......
The day came to a glorious end with group songs and dances. Full points to Chyo Tshering and Sum Pundee for making the day interesting and lively.....thats the way we Lepchas do it...Beat us if you can...